HebbaJebba’s second album, Number 2, feels like a love letter to the indie DIY music scene, where heart, humor, and raw talent often trump polished perfection. Since their self-titled debut in 2021, the band has evolved from a group of friends making music for the joy of it into a cohesive unit with a clear artistic vision. Blending pop-punk, dad rock, and introspective songwriting, Number 2 showcases the band’s ability to create songs that are as deeply personal as they are universally relatable.
The album kicks off with “Rock and Roll Band,” a high-energy opener that captures the meta-narrative of being a superfan. Its lyrics tap into the complicated relationship between artist and audience, a topic often explored in the indie scene. Fans of The Front Bottoms or Jeff Rosenstock will find familiarity in HebbaJebba’s mix of self-awareness and celebratory chaos. This track, like many on the album, is tailor-made for live shows—its rollicking rhythm and infectious energy demand a crowd’s participation.
“Swagger” slows the pace, leaning into the melodic sensibilities of ’90s alt-rock bands like Gin Blossoms or Teenage Fanclub. The song’s gentle groove and standout guitar solo show the band’s versatility, proving they can deliver more than just fast and loud anthems. This shift in tone makes way for “(PF),” a highlight of the album. Beginning softly with intricate guitar tones, the track builds into a sweeping instrumental showcase. The lyrics echo the introspective storytelling of Pinegrove, blending emotional depth with sonic grandeur.
HebbaJebba’s ability to mix humor with sincerity is on full display in the middle of the album. “Down to the Wire” grooves with a riff-driven intensity, reminiscent of the DIY punk ethos of PUP, while exploring the relatable struggle of always feeling one step behind. “It’s Fine” offers a counterpoint with its somber tone and harmonious vocals. The track’s emotional weight mirrors the tender honesty found in bands like AJJ or The Mountain Goats, who thrive on turning everyday struggles into poetic moments.
The album’s playful side resurfaces with “I’m a Weed,” a relentless breakup song dripping with bitterness and wit. Drawing comparisons to artists like Remo Drive or early Motion City Soundtrack, the track channels its angst into unyielding energy, making it impossible not to move along. Similarly, “What Do You Want Me to Say?” infuses its country-rock flavor with thoughtful self-reflection. The chugging drums and dynamic guitar riffs add a polished edge to the band’s DIY roots, reminiscent of alt-country stalwarts like Lydia Loveless or Shovels & Rope.
One of the album’s standout moments comes with “Wings of a Dove,” a track that evokes the jangly, experimental tones of American Football or The Appleseed Cast. The guitar work here is exceptional, shimmering with emotion and depth. This is HebbaJebba at their most vulnerable, crafting an indie-emo gem that leaves a lasting impression.
The final two tracks show the band’s ambition. “I’m Tired” channels frustration and exhaustion into a rock-driven plea for honesty, cutting through the noise of a relationship’s end. Finally, “Change My Heart” closes the album on a contemplative note. The track’s gradual build—starting with ambient traffic sounds and guitar before swelling into a rich tapestry of sound—reflects the sprawling, atmospheric work of DIY favorites like The Antlers or Typhoon.
The gentle fade closes the track out and leaves listeners with a sense of closure and peace.
In Number 2, HebbaJebba embraces the mindset of the indie DIY scene, where authenticity reigns supreme. Every member contributes to the album’s charm, from Ted Hajnasiewicz’s emotive vocals to Brendan Ober’s imaginative flourishes.
While their debut hinted at their potential, Number 2 delivers on it, blending humor, heart, and a clear passion for their craft. HebbaJebba’s growth as a musical entity is undeniable, and their ability to summon the spirit of the DIY scene into something uniquely their own is worth celebrating. For fans of indie rock with both a wink and a tear, Number 2 is an album to savor.
Mark Druery