In a landscape dominated by overproduction and hyper-polish, New York City’s Skyfactor offers a refreshing return to the fundamentals of great songwriting on their latest album, Master Plan. This ten-track collection doesn’t try to reinvent the wheel—instead, it polishes it until it glows.
Skyfactor, fronted by singer-songwriter Bob Ziegler, has long leaned into the emotional power of melody, harmony, and relatable lyrics. The band is notable for their “hook-driven” and “unapologetically human” approach, and Master Plan is proof that such grounded ambition can still produce something quietly magnificent. With Jason Taylor (lead guitar), Cliff Rubin (bass), and Ben Lindell (drums) completing the lineup, Skyfactor builds a sonic world that’s confident, cohesive, and full of heart.
URL: https://www.skyfactormusic.com/
The album opens with “Help You Believe,” a steady-burning anthem that establishes the band’s signature blend of acoustic intimacy and electric shimmer. The track builds subtly, showcasing Ziegler’s earnest vocals as they reach out with emotional clarity. It’s followed by “Something Good,” which adds a brisker rhythm section and a hopeful message that never feels saccharine.
“There Will Be Us” and “Under The Stars” follow in this gentle but emotionally potent lane. There’s a wistful, almost cinematic quality to these mid-tempo tracks. With tasteful restraint, the band avoids over-arranging, allowing the natural chemistry between players to shine. These are songs designed to be played with the windows down on a long drive—sentimental but never self-indulgent.
The centerpiece, and the spiritual heart of the album, arrives with “Master Plan.” It’s the kind of title track that feels earned. With a melancholic edge and introspective lyrics, it seems to distill the essence of what Skyfactor is all about: the quiet determination to keep moving forward through life’s uncertainties.
Elsewhere, “Streets of New York” stands out with its vivid storytelling. A love letter to their home city, the song feels lived-in, not touristy. “Energy Over Me” injects a welcome jolt of tempo and drive, and “Airport” strips things back down for a minimalist meditation on transience.
What Skyfactor has achieved with Master Plan isn’t radical—but it is rare. This is an album that trusts its listeners. It invites you in, asks you to sit with it, and rewards your patience with songs that speak to the universality of change, love, and reflection.
In a time when albums are often front-loaded with flashy singles and padded with filler, Master Plan impresses through consistency and soul. There’s not a wasted track in the bunch. It’s a record made by musicians who’ve grown into their sound and trust its power.
Skyfactor may never be the loudest band in the room, but with Master Plan, they’re certainly one of the most genuine. And in today’s noise, that’s more than enough.
Mark Druery