How would you classify your music?
The first album’s somewhat all over the place, genre-wise; but, ultimately I’d classify my work as alt-rock. I’m not very good with ascribing accurate genre labels, but my new songs are somewhere between the Moody Blues and Mac Demarco, with a little bit of psychedelia thrown in on occasion. Of course all of this is probably subject to change, depending on how I’m feeling on the day I decide to put together the next album. I tend to just follow what interests me in the moment, for better or worse.
Who are some of your top musical influences?
Growing up, it was John Lennon, Warren Zevon, Zappa, Harry Nilsson, and miscellaneous indie artists my friends were showing me at the time. I also went through a pretty intense AC/DC phase (they were my first concert), followed by a Grateful Dead, CSN, and Dylan phase (my love for the Dead still persists). Lately, I’ve been digging Tame Impala, Kamasi Washington, and the Talking Heads.
What do you want fans to take from your music?
Simple enjoyment. Lately I’ve been trying not to get too heady about it. If they feel a vibe, then that works for me.
How’s the music scene in your locale?
Incredibly active, but it’s difficult to leave a lasting impression. Everyone has so many choices these days, and people aren’t seeking out random concerts on the regular. You really have to get in good with a collective or something/someone that puts together DIY shows with a built in audience.
What is the best concert you have been to? What do you like most about playing live?
Tame Impala at Boston Calling a few years ago. They blew Beck out of the water, who I was initially more excited to see. Kevin Parker and crew just make perfect music, with such a full sound. They don’t care about putting on as much of a “show” as artists like Beck. They just play incredibly well, and it works for them. Also, Charles Bradley, the few times I saw him. Such emotion. It’s the only time I ever had tears in my eyes at a concert. God, I miss that man. Rest in peace.
Is there a song on your latest CD release here that stands out as your personal favorite, and why?
Probably “Dangerous Game” and “The Song Song,” although my opinion of the album as a whole definitely changes from day to day. “Quasi” has the most incredible, David Gilmour-esque guitar solo by Jared Scharff. I can listen to that track again and again, probably because I do the least on it, and because Scharff can shred like none other.
How have you evolved as an artist over the last year?
I’ve learned a lot more about producing and engineering, and I’ve tried to focus less on creating a specific sound and the minutiae of my sonic signature. Speaking to the latter, I’m just not “there” yet. I’m definitely late to the game in my development, but everything is still experimentation. I just want what’s in my subconscious to emerge as a finished product (key word: finished). I have some difficulty revisiting an idea once I get out the initial inspiration, which is something I need to open myself up to more.
If you could meet, play a gig, co-write a song, have dinner, have a drink with any band or artist (dead or alive) who would it be?
Andy Kaufman or Zappa. If you asked me 8 years ago, it would have been John Lennon, but recently I learned he was an abusive, hypocritical SOB. Never meet your heroes, as they say.
What’s next for you?
Get out of the house more. Build a career. Don’t give up on therapy. Tell my dog I love her at least ten (million) times a day. Show my friends and family with actions that I appreciate them as much as I do internally.
What makes you unique?
The fact that I’ve eliminated all other clones and have destroyed the laboratory once and for all.
End of Interview